the 22-year-old took the Telenor Arena on Friday night. In the audience were School reviewed and rated all the songs.
It is a little mixed candies, ” says vg’s reviewer Sandeep Singh about tonight’s Justin Bieber concert.
See: lands Bieber
He ends on the roll of the dice 3 general evaluation on the show.
– It seems that he is bored, feels Singh.
Remember? “Leaves the stage in the rage”
It was an evening of great highlights and ditto downs.
Here are all tonight’s låtanmeldelser:
“Mark My Words”
pop sensation from Canada, known as Justin Bieber in the English-speaking part of the country, and Jean-Claude Vanndam in the other. The canadian hoisted up to the intro from “Purpose” (2015), where he sings “mark my words, that’s all that I have”. The whole Telenor Arena know that he juger, for he also has a lovely voice. A soft opening here.
“Where Are Ü Now”
the Question everyone asked themselves seconds after the watergate at Chateau Neuf is also the name of a song. And the nice refrain-dropped is the show’s real opening. It went well, especially to the Telenor Arena to be. Psychedelic prisms and surfaces you across the screens, straight from a futuristic vision of Tokyo from the eighties. The dancers are right out of the Sensation White, while Justin even rocker avkappa black jersey and just tacky dansemoves. The boy singing supple, the drummer clicks a little too hard on the drums. But for a head-start!
“Get Used to It”
One of the most surprising cuts from the “Purpose” is a groovy popperle, but perhaps a bit too much of a good thing. Bieber is far more keen to dance than to sing. Here is the playback track, which accounts for most of the job. Works dog to a klubbete song like this.
“I’ll Show You”
Bieber goes back into the glassburet he arose from, either to protect themselves from the water bottles or to overformidle this låtens theme. Yes, he makes sure that he is well-known, but sings passionately that his life is more than just entertainment. He is a real man, that is.
“The Feeling”
This to the usual fine duetten with Halsey appears to most as a pausenummer. Bieber is bored, and strives not to hide it.
see also: Threatening the fans after the verbal abuse
“Boyfriend”
Biebers R&B-play from 2012, the songs basically as a “First Price”-variation of an N*Sync and the Neptunes collaboration. This synthversjonen feels a notch more contemporary, but in 2016 it stands, however, more as a point of reference that shows how much Bieber has grown as a urbanartist since then. And the rappingen his we have heard better before.
“Cold Water”
Here, drag him forth kassegitaren and shows that it is not what he has rehearsed most of the past ten years. To act on what he hates most in the world is “Cold Water” unimaginable kind, in its original “Am I Wrong”-style street. Acoustic, without Diplos texture and MØs vote, is this a boring affair.
“Love Yourself”
Nachspielgitaren continues with Biebers maybe spydigste and best nedspikkede song. Here sits the guitar far better, because of the far easier progress, and the Biebs lands this is almost as good as at the plate. But not all the way. Pull up that he ends it with a verse and chorus from “All That Matters”. Finally some sound from the “Journals”, Biebers best disc. The correct enough in the completely acoustic version here also.
“Been You”
Back in the uptempomodus! The funky French touch-flirtatious “Been You”. It is damaged enough that it is 100% playback. Oops. Forget to pick up the microphone a couple of times also. LOL.
this? Bieber throws her clothes again
“Company”
“You guys havin’ a good time?” he asks. Yes. Thanks that ask. I had had it finer if you actually sang a little more though, Biebs. This is one of Biebers best songs – sweet and vibrant club-R&B produced by, among others, the Norwegian Andreas Schuller. Unfortunately, Bieber is far more keen to chat with the dancers than to pretend that he sings. He remembers to use the microphone a few times during the chorus, the part of the song that is most obviously playback.
“No Sense”
Yes! Now he sings, on this lovely Mike Dean-produced filler. Now he stands alone on stage, with Travis Scott passionately on the big screen. It feels indeed like a concert again. Don’t know with his shoes, but this vowel is waterproof.
“Hold Tight”
Probably the evening’s most sensual song, and unfortunately the only full song from “Journals” (2013) he drasser with him on this tour. Anyone who thought Justin was allergic to moisture have not heard this. R&Bieber is considerably more raw than dance-Biebs, and the band sits as a shot, both on the trommebrekk and crude guitar.
“No Pressure”
Even a smooth urbanballade. Now he stands on a stage carpeted by smoke, accompanied by six female dancers, in the true R&B-the spirit. Fraseringene his shaking out beautifully, and the guy shows that maybe it paid off to save the decent vocals to this fine trekløveret of songs. The boy has soul when he is in fact the orcs.
“As Long As You Love Me”
Can not only provide the good R&B when you fill the Telenor Arena with the whole spectrum from toddlers to adults in the upper middle class. So a little baby Bieber is allowed. If one looks away from the daterte gum-dubstepen, this song is still a monsterrefreng. It has a dog on the main character himself that this is just a routine for him. The microphone is in your hand, but it is rarely over races. This is not something he will perform. So he sits at the drums and plays some average brekk. Misses here and there, and ends with a dancehalltakt. The bizarre unpredictability draws actually up.
“Children”
“Are there any children in the building?” he asks. It seems as though the entire Telenor Arena screams. Bieber goes in time with one of their small songs from his adult period. A tam EDM flavor of “make a difference”-pop à la “Man In The Mirror” and “Where Is The Love”. He walks around the stage, posing a little. He is heiset up on a pedestal, as all the children he “sings” about the looks even smaller. He high fiver dancers and ends with “give it up for the children”. As a pleasant gesture he pulled up the children who are allowed to say what they are called. “What’s your name?”. “Sander” says the boy. “That’s the sickest name I’ve ever heard”. I am a little flattered even.
“Let Me Love You”
One of this year’s Billboard toppere. DJ Snake makes largely the same as the Diplo and Skrillex are doing for Justin, just a notch less memorable. It is a relatively recent case, but the Biebs sings as if he is tired of it already. The public’s more vital or as a pull-up mood.
“Life Is Worth Living”
He opens with practiced gratitude. “I wanna thank every one of you for having me tonight. Thank you for you support and just rocking with me. You hear stuff, you read stuff, but you choose to believe in me. That means a lot.” The kleine and the prosaic ballad which follows, delivered with a warm and surprisingly heartfelt vocals. Saves still not the number.
“What Do You Mean?”
Of the songs Kygos tropical roo has inspired, this airy sjarmbomben the largest. Justin sings effortlessly on the original. At the stage start it as it has done with the rest of the EDM tunes of his, there is more dancing than performance. But under the andreverset he takes himself together and justify this infectious lykkepillen. And it is easy to let themselves be charmed by the gjøglete dancing his.
“Baby”
the YouTube video with the most thumbs down ever, but also one of the most watched. Something that cemented the evening’s by far the highest sing-along. In the light of Biebers adult material, this seems more like a pleasant throwback and not a serious song. It should be fair when he tries to rap Ludacris-verse.
“Purpose”
He opens with a speech about following their dreams, before he sits down on the stage to establish that there is følsomtid. Anyone who has tried, knows that it is not easy to sing sitting down, and Justin misses not a beat in this bare ballad. Vokalprestasjonen is dog the only thing to note in this dølle the song, which atpåtil ends in banal awkward jukkerock.
“Sorry”
What is he excuse himself for here? The interrupted performance in the last year? The varying quality of this concert? Or that he can’t bear to sing by yourself all the time? Shammah it. This song is perfect for an uplifting credits, regardless of whether the movie was good or not. Smilebonanza, although Bieber clearly is bored with his job. Sorry Biebs, but I have to say it. You need a vacation.
SANDEEP SINGH
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