Eight years (and the slightly undervalued spin-off “The Bourne Legacy”) have come and gone since the last Jason Bourne killed someone on film. Since then, the questions rained down on whether Matt Damon could imagine an encore that role he was “Bourne to Play” (duh, journ.anm.)
The answer was obviously yes.
the question now is proof it was. With “The Bourne Identity” (2002), “The Bourne Supremacy” (2004) and “The Bourne Ultimatum” (2007) stood Damon in front of a spy series so raff and trendsetting that even James Bond had into rehab. Damon and “Supremacy / Ultimatum” director Paul Greengrass has short, everything to lose in a fourth movie.
Fortunately, they have taken the chance.
Bourne have regained memory, and living in hiding for the US government, which is still bitter at the unveiling of the shadowy CIA programs Blackbriar and Treadstone. But when Bourne gets wind that the CIA is again started with assembly line production of human killing machines, he is forced out of the shadows. Further intensification he gets that the new program, Iron Hand, related to his late father.
“Jason Bourne” is definitely the weakest in the series so far. As action movie with birth 2016 it still is hard to find anywhere near equivalent. “Jason Bourne” is an adrenaline-driven fist aimed at the senses, pummeling the man begs for mercy. Not that this cement mixer nervous system has no plans to waive the request.
do as the series has never been away: The movie jumps right into the same raw and handheld style it was the standard bearer for the last time. The theme is again spun around Bourne’s identity and anguish at their own timber, interspersed with a moral tangle or two about surveillance society and moral decadence among those who are set to maintain it. Bourne’s remorse and self-loathing also get far more space to frolic on than before.
Damon and Greengrass vowed expensive and holy that they would not make a fourth “Bourne” unless they had something spectacular to tell. That promise has the broken. There is little in the “Bourne Identity” as the series has not been visited before. Not to say that there is nothing to be gained “Bourne” equivalents to a “best of” disc. It takes a good deal of cynicism in order to not go amused over what you just experienced when Mobys “Extreme Ways” tradition initiates the marquee. The fans will at least feel taken. Right in the heart.
The marquee has otherwise impeccable timing. Two hours of “shaky-cam” -action accompanied by innklippsbilder from the CIA’s high-tech surveillance center where the money men barking orders and get words like “affirmative” and “copy that ‘in return, borders gradually to parody. The film’s climax is also least 30 car crash too far and becomes more a kind of consumer spending for the budget money to spare than a worthy sentence on an intense and tightly packed thriller.
But yes: “Bourne ” I’m back. And once again shows Damon action movies in general and especially James Bond, the shots. Last time responded Bond with “Casino Royale.” If Jason Bourne again be the guiding star in a similar renaissance spy genre has Damon and Greengrass’ gamble gained huge profit.
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