With his time in question, but not particularly successful Tony Bennett collaboration fresh in mind, it is with great pleasure that Lady Gaga shows up in traditional costume at Telenor Arena Monday night. After a hard and energy-guzzling DJ-heating, is a sigh of relief through patience “Little Monsters”, when their high priestess finally emerges as a winged Liberace in a scene universe mixed by Cirque Du Soleil, Alice in Wonderland and the Melodi Grand Prix.
Gaga fankjærlighet is indeed one of her strongest, and few artists have “I love you too” to sound more believable. She thank nicely – and take even wearing clothes that are thrown up on stage. Even glowsticks that hit her in the face results in nothing but a cute “Silly rabbit. Glow sticks are for kids! “.
(in Gaga-standard) sparse turnout is enough however, a direct consequence of the lack of hit-presence on her latest full length album “ARTPOP” but Lady Gaga has neither excuses or understanding for those who want one lazy hit litany.
– If you came here to hear hits, so take and drink or retrieve a glow stick, this is fucking ARTPOP!
Album focus and the aforementioned middle finger to udedikerte and hit-busy “hang on? Ere” despite, it is during this very party with “Just Dance”, “Poker Face” and “Telephone”, the show really takes shape. A gold number of tracks that not surprisingly, the evening’s first moment that really gets started audiences outside the revelers, the first few rows in front of the stage.
Magic is also when Gaga calms down and gets shown off stemmeprakten with “You and I” and especially “Born This Way” – before she pulls back the guitar railing and shows that she is one of the few pop stars who do just as well on a row of dancers, who behind the piano with his band.
ARTPOP show shows that Lady Gaga is still one of pop music’s most complete live artists, but is also characterized by a song material that probably has not been as strong footing among fans as her earliest albums.
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