Intense sensory experience that plays more with the perceptions of our own universe than the shows of life from another planet.
“ARRIVAL”
SCI-FI/DRAMA
united STATES. 9 years. Premiere 11. november.
Director: Denis Villeneuve. With: Amy Adams, Jeremy Renner, Forest Whitaker
When the 12 mysterious spacecraft lands in various places the world over, contacts the u.s. government språkprofessoren Louise Banks to get help to try to communicate with the aliens.
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In the beginning of “Arrival”, we share a glimpse of life with Banks, played by Amy Adams. We see moments with a baby, good luck with a young daughter and saw the glint of the disease. It is a seemingly sorgtynget professor who comes to work at the university to almost empty auditorium-day the 12 vessels lands.
Soon she is on the background of previous security clearance from the oversettelsesoppdrag – and that she should be the best in their field – flown to the space ship base in Montana. Where should she collaborate with the mathematician Ian Donnelly (Jeremy Renner) under the leadership of colonel Weber (Forest Whitaker).
AT the BASE: Forrest Whitaker, Amy Adams and Jeremy Renner.
Photo by: Jan Thijs, Sony/UIP
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Amy Adams steals the show
And then the movie really started. Or does it do that? Exactly where it starts and where it ends, is a question to you as members of the public will be stuck with long after the credits have slipped past.
“Arrival” is the most human-oriented romvesenfilmen the page “Contact”. And yes, you get to see the creatures, but first and foremost, the toys, the movie with the perceptions of our own universe.
“Arrival” is full of wonder, mystery, and dveling by palpitations, visual impressions and moods. That the rest of the world running riot, and society breaks down, is banished to a siding of the announcements, which will only rarely get to fill the canvas.
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Amy Adams steals the entire romshowet in a both understated and close to the representation of Dr. Louise Banks. She is the embodiment of the nerves and emotions, at the same time that she exercise control only in the moment of rupture in small tremors in the hands.
Jeremy Renner has little to work with as the Banks' sparring partner Ian Donnelly, but he gets shown more than the endimensjonale action-face it, we’ve seen that Marvel’s Hawkeye and Wirkolas Hansel. In the middle of the movie he has the narration in a summarized sequence as skurrer a bit in the film’s otherwise lettflytende story.
COMMUNICATE: Jeremy Renner and Amy Adams attempts to communicate with the aliens.
Photo by: Jan Thijs, Sony/UIP
Director Denis Villeneuve puts his trust in that the audience is at times powerful challenge of their own imagination. And it works out.
“Arrival” has been a movie so well-balanced that plays, photo, clip, special effects and music mostly blends together in a seamless sensory experience where all the elements play each other good.
Current
the Music from the Oscar-nominated islendingen Jóhann Jóhannsson must, nevertheless, be mentioned that the film’s most magical volume knob that cranks the intensity up or down with one was – or brutal, alignment: When we see aliens for the first time, it is a fierce roar as from the electronic whales in heat, while the moments with the Banks' memories intensified with silky smooth strings.
When the movie will premiere in the middle of all valguken in the united STATES, experienced the also evident aptly in the description of a tidsånd where communication and miscommunication becomes a question of to be or not to be.
Lars von Trier has said that a good film should be like a stone in the shoe. “Arrival” rodent as a tile in the cerebral cortex.
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