Get a taste of this year’s “Anno” in the video below!Monday night has the new season of “Anno” premiere on NRK. The first two years traveled the participants back, respectively, to Bergen in 1764 and Fredrikstad in 1721.
In the years is the setting, however, become more demanding: “Anno”-the year is 1537, and the place is Trondheim – in particular the archbishop’s palace in the shadow of the nidaros cathedral.
more Expensive “Anno”-set than before
Innspillingsstedet has bet on more challenges, can the manufacturer Ida Jørgensen in Strix tell.
We spent more money than we actually had thought. This is the most expensive the scenography we’ve had, there are enough no doubt. But it also has a relationship with the place we were, which meant that we had to opt out of a range of simple solutions, ” says Jørgensen.
archbishop’s palace is listed, so that any intervention “Anno”-production made on the farm had to be able to be removed again without leaving lasting traces.
- Since the building will be preserved for the future, so we were for example not allowed to beat into nail in the building. The dormitory and mesterboligen was built without a single nail or staple. They had screwed up with the forces (the tool that holds materials in place, journ.anm.), tells the “Anno”-the manufacturer.
Also is the reason of the archbishop’s palace protected. The high fences that were built around the set could not be turned down in the ground.
Get a taste of this year’s “Anno” in the video below!
- so we had to find other ways to stabilize it. There is a lot of wind in Trondheim, so we had to have a lot of weight on the fences so they would not blow down if it was storm. We used, among other things ildhuset and supply in order to stabilize the fence, ” says Jørgensen.
the Need to minimize fire risk
In addition, have production take into account the strict branntekniske orders from Nidaros Domkirkes Refurbishment.
All the area’s exterior surfaces are treated with whitewash, which is fire-retardant. The mattresses were imported from England, because they have a much stricter set of regulations for how flammable the furniture can be, ” says Jørgensen.
And almost all of the materials in the mesterboligen and the archbishop’s palace, as well as props, is brannsikkerheten been tested on. Drugs used in draperiene in mesterboligen had to be a special type that was inked with fire-retardant remedy, she adds.
Production, seeking to preserve an authentic 1500-tallsuttrykk on the set, even if it was used machines rather than the axe to cut materials.
- In mesterboligen, there is used a håndmikset mix that is made of 1500-tallsvis of a lady who is an expert on restoration of old paint, can Jørgensen tell.
Work around
Presenter Selda Ekiz (32) tells Dagbladet that she is very pleased with this year’s “Anno”-insert.
I saw the “Anno”-the set for the first time a few days before the participants came in there, and it was like going into a completely different time. It was magical!
Production was, however, subjected to an enormous pressure of time, because Olavsfestdagene used part of the area where the set would be built.
Over 660 day went by, and at the most was 30 pieces at work on the set at the same time.
- We first got access to large parts of the outdoor area one and a half week before the recording started. Among some of those who worked on the set, it was work around the clock the last ten days, disclose Jørgensen.
Still not “Anno”-the manufacturer of the doubt that they would come into port with the kit to the 14 participants should move into and the recording start.
- All of which worked with the elements and scenography in the “Anno” is very ambitious and ærgjerrige people, so when they say that they should do something, they do it.
Some details were added along the way, it’s completely normal. That we add some props, or need to paint a wall in a slightly different hue because it doesn’t work for photos. What we have done in the first and second season too, reveals Jørgensen.
- do Not gum and coffee
In addition to that, the production built a innspillingssett to send participants right to the 1537, presenter Ekiz take certain precautions before she enters 479 years back in time.
- There are some special rules, because it will be easier for the participants to live in tidsboblen they are inserted in.
- You can’t go in to the participants such as food, drink or gum in the mouth. How badly done had it not been to them to come in with a steaming fresh cup of coffee, when they have got tasted it for several weeks! says Ekiz.
Although the construction of the kit was more expensive than calculated, to death, not “Anno” their budget.
the Budget on the “Anno” was at 33 million the first season and about 35 million for season two and three. The production has been within the framework, ” says Unni Ødegård, project editor at the Norwegian broadcasting corporation.
No comments:
Post a Comment