New film comedian emerges – Adresseavisen

Two of the year best and most successful US comedies disproves such a degree machoklisjeen that women are not funny. Melissa McCarthy finally got carry a film with what she does best in the spy comedy “Spy.” Here is Amy Schumer in an occasionally delightful feminine Rolpa variant of romantic comedy. 35-year Schumer has turned up as TV star for Comedy Central, with its own stalling standup- and skit show “Inside Amy Schumer.” She even wrote the screenplay with her first major film role, while the man who has renewed the masculine Rolpa comedy in American film, Judd Apatow (“40 Year Old Virgin,” “Knocked Up”) is directing.

Read the review of “Knocked Up”

“Train Wreck” is more fun and liberating than fully implemented, the meeting between Apatow directing and screenplay Schumer and games. Although final makes the film more conventional than the brand has well off, “Train Wreck” Apatow’s funniest film as a director since “Knocked Up” in 2007. But it is Amy Schumer makes the movie one of the year’s best American film comedies. She plays magazine journalist and the flamboyant lessee Amy. At the film’s start presented her as filling bucket and round burner of the type usually gestalt of men when we talk main roles on film.

In the first half, that is the film’s best, is “Train Wreck” a fun twist on stereotypes and kjisjeér in gender roles on film. Schumer is funny and raw in the jaw and situational comedy, which serienedlegger of men with remarkable bodies, but precious little between the ears. It is debatable how original or liberating it is a program where gender roles are turned upside down, to a kind of “stupid men and trolls for Wives.” Fortunately, “Train Wreck” more going on, with acidic satire of magazine industry and fresh kicks to the romantic comedy. The latter performs well enough eventually to loving descent in some of the genre’s most hackneyed grip. The film has several good or funny cards than Schumer verbal kicks and type drawing. Bill Hader (cop in “Superbad”) is well to her as sport doctor she goes from interview to sengekos with. The scene where he tries to get her to stay after sex, is gui- dance, not to mention sex comedy at its best.

Major sporting stars in gender parody of itself is enough funniest if one has some knowledge of American basketball. On the other hand, Schumer outcomes against jocks of all kinds useful bonus, if you have no idea who James LeBron is. Cultured or completed is “Train Wreck” is not. It ends as a more conventional romantic comedy homage to traditional family values ​​than it started It is still enough studded with sharp enlinjere, funny types and funny situations that it can be recommended. Besides being good introduction of Amy Schumer as a comedian on the big screen, the Tilda Swinton in priceless, almost unrecognizable role as magazine editor.